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Christian Moeller, Hands (2010); Mineta San Jose International Airport, CA; Selected for 2011 Year in Review. Photographer: Nick Merrick © Hedrich Blessing; Fentress Architects

Americans for the Arts' Public Art Network (PAN) is the only professional network in the United States dedicated to the field of public art. As a program of Americans for the Arts, PAN strengthens efforts to advocate for policies and best practices that serve communities creating public art. More than 350 public art programs exist in the United States at the federal, state, and local level. The PAN network brings together artists, community members, and art and design professionals through online resources, professional development and education opportunities, knowledge-sharing practices, and strategic partnerships.


Nov 2, 2011

Trust fund to inspire more public art in San Francisco


Downtown developers required to finance public art may soon be able to meet that requirement as easily as writing a check.

On Thursday, the Planning Commission unanimously supported a measure by Mayor Ed Lee and Supervisor David Chiu that would create a Public Art Trust Fund. It would allow developers who are required to put 1 percent of their construction costs toward public art to give the money to the fund instead of commissioning a project on their own.

The support came with revisions recommended by planning staff, most notably excluding developers with large public spaces from using the fund and consideration for expanding the art requirement throughout The City.

“If it’s good, let’s expand it,” said Commission Vice President Ron Miguel.

Currently, developers of projects of at least 25,000 square feet in downtown near Market Street must spend 1 percent of their budgets to pay for public art installations.

Jason Elliott, Lee’s legislative director, said the new proposal stems from that program’s success and is an effort to improve it by giving developers more flexibility.

The fund would be maintained by the Arts Commission and would be used not only for permanent artwork, but also for temporary and performance art in public places, maintenance of existing art and to support nonprofit arts groups.


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